From $89
Gold paint drips down this Ace of Spades, running from the spade symbol toward the bottom edge against a background that stays close to black. The drip effect turns a static card image into something with real motion, more abstract pop art than a straight reproduction of the card.
Available in the usual ten sizes, 12x16 up to 40x60, unframed on canvas or dressed up with a black floating frame. The graphic simplicity works for poker fans and non players alike, and it holds up in a game room, man cave, or living room built around bold decor.
Checkout, shipping, and returns are handled by LuxuryWallArt.
Printed on archival-grade, poly-cotton blend canvas with fade-resistant inks rated to hold color for 75+ years. Gallery-wrapped and ready to hang straight out of the box.
Available in five sizes per orientation, from 12x16 up to 40x60 inches, as a 1.25 inch canvas wrap or with a black floating frame.
Free U.S. shipping on all orders. Printed and shipped from U.S.-based facilities. Most orders arrive within 5 to 10 business days.
Thick gold paint drips from the spade symbol toward the bottom edge on this Ace of Spades, set against a background that stays close to black throughout. The motion breaks up what's normally a flat, symmetrical card image, pushing it closer to abstract pop art than a straight card reproduction.
A gold drip ace of spades canvas appeals past poker fans into anyone after bold graphic decor, and works as abstract pop art for man caves where a single strong image carries the wall. See more graphic takes on classic cards in casino art.
Thick gold paint drips down from the spade symbol toward the bottom of the card, breaking up what's normally a flat, static image. Against the near black background, the drips catch the eye first before the card shape registers.
Not really. The scale and simplicity of a single blown up card, plus the drip effect, appeal to anyone who likes bold graphic art, poker fan or otherwise. It works as a straightforward statement piece in any room built for bold decor.
